You can't exactly describe music man Kwes as lazy. With a new EP out on legendary electronic label Warp, Meantime comes off the back of extensive experience working with some of British music's biggest and brightest. Producing Speech Debelle's second record Freedom Of Speech , a joint project with oddballs Micachu & the shapes imaginatively titled Kwesachu and even a stint producing for last year's DRC music project alongside Damon Albarn, XL boss Richard Russell and Actress to mention a few. This is of course alongside his debut EP No Need To Run released in 2010 and a slew of singles including the insanely catchy 'Get Up' which emerged at the end of last year. With this much experience and a near spotless track record, Meantime was always going to be a pretty special release.
Impressively, Kwes fits in remarkably well with the Warp label, best known for pioneering often more experimental acts like Battles, Aphex Twin and Flying Lotus. His warp credentials are proved from the off with the EP's opener 'Klee', coming off as an ode to Warp legends Boards of Canada with its grand atmospherics and spacious bleeping. It's a morphing electronic instrumental which would find itself quite happily at home towards the end of BOC's seminal album Music Has the Right to Children . What follows 'Klee' is a slight departure, with Kwes' vocals coming into play. The same nonchalant delivery from previous tracks like 'Get up' is still very much present; his relaxed vocal approach that he employs should be boring and throwaway but in the case of 'Meantime' it displays that the real standout elements of Kwes' music are the instrumentals and the lyrics. 'Bashful' for instance sees Kwes' deadpan vocals enter the stage, but ultimately they ...
The 405
24 April 2012