CocoRosie & Antony Hegarty have unveiled their collaborative track 'Tearz for Animals' via Spanish Radio station Radio 3 . The track is taken from CocoRosie's forthcoming 7" single, which is headed up by ' We Are On Fire '. With the inclusion of Hegarty's voice, it would be difficult to suggest the a-side came anywhere near the beauty found in this track. We suggest you head over to Touch and Go Records and pre-order it while you still can.

Compact Discs : Released: Mar 1987 Genre: Avant-Garde, Hardcore, Psychedelia Label: Touch And Go Number Of Tracks: 11 This is an Avant-Garde masterpiece. It's a truly fearless record, that just doesn't give a f--k about what anybody will think.

Das avantgardistische Geschwisterpaar Coco Rosie stellt seinen taufrischen Titel "We Are On Fire" als Stream zur Verfügung. Die Single wird inklusive der B-Seite "Tearz For Animals" Anfang Juni via Touch and Go Records erscheinen. Auch das neueste Stück besitzt den speziellen Coco Rosie-Sound, der sich aus Elementen des Pop, Elektro, Folk, HipHop sowie der Klassik zusammensetzt. Obwohl der Klang verspielt und kindlich anmutet, haben die Texte oft feministisch-politisch motivierte Botschaften – Deshalb sieht man die Damen auf Fotos auch meist mit aufgeklebten Bärten. Führt euch das aktuelle Werk der exzentrischen Künstlerinnen an dieser Stelle zur Gemüte: Coco Rosie - "We Are On ...

CocoRosie announced their Touch and Go Records single, “We Are On Fire,” back in March. Now the band have offered the song up for [...]

American by way of Paris sister duo Coco Rosie released their last album of eclectic folk, Grey Oceans, back in 2010 on Sub Pop. Now they're back with a new single and it's due out on Touch and Go Records in June. Have a listen to the A-Side, 'We Are...

Con ustedes el nuevo sencillo de CocoRosie “We Are On Fire” producido por Dave Sitek de TV on the Radio. El nuevo single saldrá junto a “Tearz for Animals” el próximo 5 de Junio en Touch and Go Records.

CocoRosie are not your typical experimental/indie band. The sisterly duo have gone beyond the experimental and into the freakish and mystifying realm with their haunting and hazy instrumentation. Their latest single ‘We Are On Fire’, produced by Dave Sitek of TV On The Radio, is infused with trip-hop influences and much darker overtones. “We Are On Fire” b/w “Tearz For Animals” is out 6/5 on Touch And Go. via Stereogum

CocoRosie 's new single  "We Are on Fire" b/w "Tearz for Animals" , is out June 5 via  Touch and Go . It marks the iconic DIY label's first offering since  going on  hiatus in 2009. The single   w as produced by Dave Sitek of TV on the Radio. CocoRosie also have a string of dates scheduled for California in June; check 'em out here .

CocoRosie have posted their Dave Sitek produced single 'We Are on Fire' (which is backed with 'Tearz for Animals') - which is released on Touch and Go records. Yes that Touch and Go. Despite going on hiatus three years ago, the label have returned, and what a great single to start with! Track it down when it's released on June 5th, and hear the a-side below.

CocoRosie melden sich nach ihrer selbst auferlegten Pause 2009 wieder zurück bei Touch & Go. Und die schrägen Geschwister Bianca und Sierra Casady haben gleich mal Dave Sitek (TV on the Radio) gebeten, ihr Comeback (sic) für sie zu produzieren. Ob ihnen die Pause und Dave gut getan haben, hört ihr nach dem Klick. Direkt [...]

CocoRosie: "We Are on Fire" (via SoundCloud ) CocoRosie 's new single  "We Are on Fire" b/w "Tearz for Animals" , is out June 5 via  Touch and Go . It marks the iconic DIY label's first offering since  going on  hiatus in 2009. The single   w as produced by Dave Sitek of TV on the Radio.

Josh Moshier is a young pianist/composer working in Chicago. His most recent project is Touch and Go, a suite based on the work of famed Chicago radio figure and jazz ...

Italy has never been short on bands that represent the mechanical, nuanced, and sharp edged type of math-rock, giving us such notables like Uzeda and Three Second Kiss over the years. A sound that has probably become more synonymous with all things Steve Albini, more specifically Shellac. Admittedly it’s not always the most easy of listens and can fall victim of drowning in dullness far too easily if not given the proper attention. KASH happen to fall under the umbrella of bands from Italy trying to produce a similar sound, if not exactly. The group wasn’t exactly the ...

I don't like press. That's not to say I don't like the people who organise a band's press. Tom, for example, who works for a company called Ilikepress, is a very accommodating chap. He's efficient, cheerful, and he sorted me out with everything I could possibly need to review Electric Picture Palace , the debut full length from (and also swansong of) Leeds quartet Holy State . He responded to all my requests with alacrity, and generally made my function as a writer that much easier. So thanks, Tom. And, ah, sorry, I guess. Holy State, it ...

1994: Bedhead - "Bedside Table" by Devin Friesen on 04-25-2012 About a year before I started University, I had a sort of musical obsession — I wanted to hear as many bands on the Touch & Go/Quarterstick roster as I could. Lucky for me, this wasn’t too difficult; one of the record stores I went to each week had a distribution deal with Touch & Go, which kept the store packed with cheap, interesting records to choose from. This was probably how I found a pair of Bedhead LPs in the store, several years after even the reissues had gone out of print. One day I bought both records with no expectations beyond some vague notion of this thing called “slowcore.” Listening to What Fun Life Was later that evening, I was floored. This unassuming and totally plain-looking record contained some of the most beautiful guitar music I’d ever heard. However, the sequential pairing of “Bedside Table” and “The Unpredictable Landlord” made me suspicious of the whole “slowcore” thing. I remember thinking that, between “slowcore” and the band’s name, Bedhead might sound dreary, but these two tracks proved the opposite — the latter is a relatively upbeat, possibly even lively (albeit in a restrained sort of manner) track, and the former is a mixtape staple. Common to both is the guitar interplay of the brothers Matt and Bubba Kadane: whether hypnotically intertwined or melodically distinct, their shared guitar progressions always move forward instinctively. On “Bedside Table,” the song gradually progresses from a comfortable meander into a raucous outburst that crests with a cathartic moment of sustained feedback between both guitars; the progression is straightforward (quiet to loud), but the variation around it is refined and vaguely triumphant — in short, it’s easy to feel good about. Bedhead could hardly be considered extroverted, but songs like “Bedside Table” displayed a refined and sharply focused style that was ever so slightly livelier than ...