by John Crowell • October 2011 If you haven’t heard of Nate Young, you haven’t been paying attention. He’s the force behind great noise acts like Demons, Stare Case, and Moon Pool & Dead Band. You probably know him best from Wolf Eyes, the Michigan noise group whose past and current members have been a part of other luminary groups like Dead Machines, Handicapper Horns, Hair Police, Dead Air, Graveyards, and many others. In terms of the upper echelon of American noise acts, these dudes are the glistening, pulsating, malignant nerve center at the center of the Midwest, erecting walls of crushed beer cans and rotting synthesizers to carve a barrier between East Coast design school kids like Black Dice and Lightning Bolt and the West Coast’s rainbow spectrum of noise punk (No Age) to harsh noise (John Wiese). They’ve come to typify much of Midwestern noise: organic, scruffy, thunderous, and unrelenting — these are folks who can’t even drive to the beach to chill out (unless that beach is on Lake Huron.) Nate Young has always been one of the main driving forces behind Wolf Eyes and, separately, Midwest noise in general. He’s known for his close relationship with the tools for creation and distribution of his work. Lathe cutting, synth wiring, artwork; he’s got a hand in it all. It’s this personal connection that makes his work, as well the segments of Midwestern noise he’s participated in and influenced, so interesting. Soon he’ll be releasing an LP as Nate Young Regression on NNA Tapes called Nate Young “Stay Asleep” Regression Volume Two ( TMT News ), which will give us all a glimpse at what’s ...
Tiny Mix Tapes
14 October 2011