Jess Mills – Shepherds Bush Empire, London 1 ..
Words by Victoria Russell Ever since I first heard Fighting Fire in early 2011, I’ve been keeping a close eye on Jess Mills ’ music. So far she’s released/been featured on 4 EPs: Fighting Fire (collaboration with DnB & Dubstep producer Breakage), Vultures , Live For What I’d Die For and Pixelated People . All Jess’ EPs have been really refreshing to listen to, as they explore elements that aren’t currently at the forefront of the music ‘scene’. Considering all this, you won’t be at all surprised that I jumped at the chance of being able to review Jess’ live set at ‘Shepherds Bush Empire’ (supporting Emeli Sandé). At 8:30, on the dot, Jess emerged. She looked fabulous in a black and white body suit, (don’t quote me on that though, the lighting made colours tricky to define!), several silver bangles/bracelets and natural looking makeup. Once the spotlight was on full beam and a calming blue wash covered the back of the stage, an acoustic rendition of 'Pixelated People' began. Being used to the original with synths and a heavy sub bass, I was pleasantly surprised at how well the song sounded with a vocal and piano/keyboard arrangement. The drums then kicked in, providing a heavy beat that got the crowds’ heads nodding. Next up was 'Ghosts'. Like all of her tracks, the lyrics were thought provoking and sung with sincerity; but what particularly impressed, was the combination of deep lyrics, dark synth lines and Breakbeat drums. It’s very difficult to create a ‘dancey’ track that is also powerful on an emotional level; Jess nailed it! 'How Could This Be Love' followed on swiftly. This time, the gentle drums, mellow piano and echoed vocals really allowed Jess to own the ...
The 405
28 April 2012