Big
Head Todd and the Monsters may not be one of the names that leap to mind when discussing the early history of the modern jamband festival scene. Yet, when you look back on the old, grainy, Zapruder footage of the mid-90s H.O.R.D.E. festivals, Todd Park Mohr’s Colorado-based trio (now a quartet) doesn’t come across as a fuzzy blur in an off-center grassy knoll. Alongside
Blues Traveler, Widespread Panic and a pre-Derek Trucks Allman Brothers Band, Big
Head Todd &
The Monsters were among one of the main draws of the 1993 and 1994 versions of the jamband world’s influential answer to Lollapalooza. At New York City’s Irving Plaza (mercifully nee Fillmore), BHT revisited their early days offering the fans that grew with them a real treat: Midnight Radio , their finest album, in its entirety. [Photo by C. Taylor Crothers] The only thing keeping the full album gimmick from having a renaissance is the fact that it may never have had a heyday. As it stands now, the results are mixed. When
Bruce Springsteen breaks out The Wild, The Innocent & The E Street
Shuffle at Madison
Square Garden, the event can become awash in the warm glow of revisionist nostalgia where everyone remembers the album being successful upon its release. When
Peter Frampton takes Frampton Comes Alive out on the road, it makes fine business sense. When The
Spin Doctors resurrect Pocket Full of Kryptonite (and themselves) at the Bowery Ballroom, it becomes kitschy fun for a finely-hewed target audience. When Evan Dando decides to perform
The Lemonheads’ It’s A Shame About Ray at the Knitting Factory, it reeks of desperation and begs intervention. (In all fairness, you could interchange The
Spin Doctors and Evan Dando in those last two sentences and still maintain an acceptable semblance of journalistic accuracy). An interesting marriage of the home listening and live concert experiences, it has to be bittersweet for an artist to use an album from their distant past as a successful selling point for a show. On one hand, reconnecting with a collection of songs that presumably found an audience and helped launch or sustain a career can be pretty special for both an artist and their audience. On the other, artists grow; devoting a night to putting an album on a pedestal that an artist may very ...
Hidden Track
2 February 2012